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作 者:梁悦 Liang Yue
机构地区:[1]云南财经大学国际语言文化学院,昆明650031
出 处:《外语教育研究》2023年第4期70-75,共6页Foreign Language Education & Research
基 金:国家社科基金一般项目“斯坦利·卡维尔文学思想研究及著作翻译”(项目编号:19BWW002)。
摘 要:怪奇小说通过人类日常经验与想象经验差异造成的“怪奇”现象,为人类提供思考人与自然和人与自身的范式。首先,怪奇小说借助恐怖的绝对普遍性,从人类经验巨型化的维度,引导读者体验超出人类感知范围的宏观视角的震撼;其次,怪奇小说视怪奇形象为读者具体化经验的极端假设,通过微观化人类的生存状态,反思人类与客观世界的联系,进而衍生出对秩序和自然规则的新的文学视角,阐释了人类生存和发展的根本动力;最后,怪奇小说通过“怪奇”引发的“惊奇”阐明文学作品不仅是故事的讲述,也是一种哲学思考的表现形式。Weird fiction provides a paradigm for human being to reflect human and nature by presenting‘weird’phenomena caused by differences between daily experiences and imaginary ones.First of all,with absolute universality of terror,weird fiction leads readers to experience the shock perceived beyond ordinary senses from a macro perspective.Then,it regards weird images as extreme examples of readers’concrete experience,showing the relevance of human existence during its development and spread,which interpreted the driven force of human survival leading to a new literary perspective of order and natural rules.Finally,interpreting shock caused by weird,weird fiction illustrates that literary works are not only a form of storytelling,but also the expression of philosophical thoughts.
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