性别地理:论美国加勒比裔小说中的跨国家园  

Gender Geography:On the Writing of Transnational Homeland in Caribbean American Novels

作　　者：陈天然[1] CHEN Tian-ran

机构地区：[1]华侨大学外国语学院,福建泉州362021

出　　处：《华侨大学学报（哲学社会科学版）》2024年第1期128-136,160,共10页Journal of Huaqiao University(Philosophy & Social Sciences)

基　　金：福建省社会科学基金项目“当代美国拉美裔小说中的跨国物书写研究”(FJ2023B011);华侨大学中央高校基本科研业务费资助项目“加勒比英语文学中的华人移民书写研究”(HQHRZX-202311)。

摘　　要：在美国加勒比裔小说中,“家”的空间表征体现为一种非同质性的跨国家园制作过程,它挑战了传统意义上的空间划分与性别划分之间的关系。一方面,跨国移民的家园概念发生在祖籍国和东道国之间的社会场,并不断模糊化;另一方面,性别和地理的跨国缠绕催生了性别模式的变异,女性移民关于遗忘和记忆的家园叙事呈现出驳色的文本意义:其美国家园绘制彰显了开放性和前进性色调,却在有意无意间保留了加勒比家园底色;男性的家园怀旧叙事则关联家庭私域,呈现出封闭性和降维趋势,表达了主体性退隐或丧失的危机。由此,加勒比裔作家颠覆了男性/公共域和女性/私人域之间的齐整对立,动摇了传统的性别权力结构,再现了跨国空间中新的性别运作模式。In the Caribbean American novels,the spatial representation of“home”reflects a heterogeneous process of transnational homes,which challenges the traditional relationship between spatial division and gender division.On the one hand,the concept of home for transnational immigrants takes place in the social field between their old homeland and the new one,and is constantly blurred;On the other hand,the transnational entanglement of gender and geography has led to variations in gender patterns.The home narrative of female immigrants about forgetting and memory presents a contrasting textual significance:their American homeland painting shows the tone of open-mindedness and advancement,while intentionally or unintentionally retaining the Caribbean home background color.The nostalgia narrative of men’s homes is related to the family private domain,showing a reducing trend of closed and dimensionality,expressing the crisis of retreat or loss of subjectivity.As a result,Caribbean American writers have overturned the neat opposition between the men/public domain and women/private domain,shaken up the traditional gender power structure and reproduced a new gender operation model in the transnational space.

关 键 词：美国加勒比裔小说 跨国家园 性别运作 

分 类 号：I106.4[文学—世界文学]