以辽庆州白塔为视角论辽代民族融合  

On Ethnic Integration in the Liao Dynasty from the Perspective of the White Pagoda in Qingzhou

作　　者：于升江 YU Sheng-jiang(Chifeng University,Chifeng 024000,China)

机构地区：[1]赤峰学院历史文化学院,内蒙古赤峰024000

出　　处：《赤峰学院学报（哲学社会科学版）》2023年第12期5-8,共4页Journal of Chifeng University：Philosophy and Social Science Chinese Edition

基　　金：赤峰学院“深化中华文化认同研究铸牢中华民族共同体意识”专项项目“契丹与周边民族文化习俗交互影响史证研究”。

摘　　要：庆州白塔(辽代释迦佛舍利塔)历经近千年岁月,气势雄浑,美轮美奂,号称辽塔之冠,塔高73.27米。因塔身通体饰有精美雕刻,亦被称为“东方浮雕博物馆”。白塔始建于辽重熙十六年(公元1047年),重熙十八年(公元1049年)竣工。之所以称之为庆州白塔,是因为塔坐落于辽代重要的州城庆州城遗址内,塔身整体呈白色。该塔亦是辽代各民族交往交流交融的丰碑,出土相关文物是辽代多民族文化融合的见证。The White Pagoda of Qingzhou(also known as the Liao Dynasty Shijia Buddha Sarira Pagoda)has stood for nearly a millennium,displaying grandeur and exquisite beauty.Regarded for its exceptional craftsmanship,it is often referred to as the crown jewel among Liao Dynasty pagodas.The pagoda reaches a height of 73.27 meters and is renowned for its intricate carvings,earning it the title of the"Eastern Bas-relief Museum."Construction of the pagoda began in the 16th year of the Liao Dynasty's Chongxi era(1047 AD)and was completed in the 18th year of the Chongxi era(1049 AD).The name"White Pagoda of Qingzhou"originates from its location within the significant Liao Dynasty city of Qingzhou,with the pagoda's entire structure gleaming in white.The pagoda serves as a monument to the interactions and amalgamation of various ethnic groups during the Liao Dynasty,and the unearthed artifacts bear witness to the cultural fusion of diverse ethnicities in the Liao era.

关 键 词：庆州白塔 庆州城 民族融合 

分 类 号：K879.3[历史地理—考古学及博物馆学]