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作 者:张明强[1] ZHANG Mingqiang(School of Liberal Arts,Guizhou Normal University,Guiyang,Guizhou 550001)
出 处:《绍兴文理学院学报》2023年第11期76-86,共11页Journal of Shaoxing University
基 金:国家社会科学基金项目“中国骈文学通史”(21XZW012)。
摘 要:清初,毛奇龄以六朝文风卓立骈文坛,与陈维崧并称。毛奇龄骈文渊源主要有模仿六朝文、师法《楚辞》、谙熟八股文技法和师友影响等四方面。毛氏骈文具有独特的组句方式和章法结构:句式多变,长短句式错落相间;连排骈偶句式形成排宕气势;八股文句法融入骈文;“兮”字段穿插于骈赋中,将骚体赋的抒情特长与普通赋的铺叙手法相结合,具有浓厚的艳情丽思。毛奇龄综合运用骈句、散句、八股句式、“兮”字段组织篇章,集铺叙、说理、抒情于一炉,形成疏俊排宕的骈文风格。《国朝骈体正宗》确立毛奇龄在清代骈文史上的地位,他的骈文被清代中后期骈文正宗派所尊崇,毛奇龄实为清代六朝骈文派的早期代表,是清代骈文复兴的重要人物。In the early Qing dynasty,Mao Qiling,as renowned as Chen Weisong,stood out in the parallel prose world with the literary style of the Six dynasties.The origin of Mao Qiling’s parallel prose mainly covers four aspects:imitating the prose of the Six dynasties,learning from Chu Ci,being well-acquainted with the techniques of the Eight-part essay,and being influenced by his tutors and friends.Mao’s parallel prose is characterized as a unique way of sentence formation and structure:sentence patterns are varied,with long and short sentences alternated;chains of parallel sentence patterns are forcefully presented;eight-part grammar is integrated into parallel prose;the Chinese character“Xi”is interspersed in Pian Fu(a genre of classical Chinese style),combining the lyrical expertise of Sao-style Fu with the narrative techniques of other-styled Fu,with a strong erotic beauty.Mao Qiling comprehensively uses parallel sentence structures,scattered sentences,eight-part sentence patterns,and the paragraphs with the Chinese character“Xi”in his organization of texts,integrating narration,reasoning,and lyricism,thereby forming a style of parallel prose that is sparse and handsome.Mao Qiling’s position in the history of parallel prose in the Qing dynasty was established in Guo Chao Pian Ti Zheng Zong.His parallel prose was admired by the orthodox parallel prose school in the middle and late Qing dynasty.Mao Qiling is actually an early representative of the Parallel Prose School of the Six Dynasties in the Qing dynasty,hence an important figure in the revival of parallel prose in the Qing dynasty.
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