续论苏轼词的创新及其影响  

Further discussion on the innovation and influence of Su Shi′s Ci

作　　者：钱耐香 QIAN Nai-xiang(Xinyu University,Xinyu 338004 China)

机构地区：[1]新余学院学报编辑部,江西新余338004 [2]新余学院文学与传媒学院,江西新余338004

出　　处：《新余学院学报》2023年第6期82-89,共8页Journal of Xinyu University

摘　　要：苏轼词对词体的改革和创新表现在艺术创作手法、语言音律两方面。在艺术创作手法方面,苏轼创造性地将叙事、议论、抒情、写景的写作手法结合,第一个在词作中大量运用典故,同时在词作中大量使用题、序,开创了题、序使用的风气。在语言音律方面,苏轼词在语言上革尽了花间词人错金镂彩的风格,在音律方面进行了不协音律的大胆创新与主动变革,同时突破词调的束缚,使词不受声情的限制。The reform and innovation of Su Shi′s Ci style are reflected in two aspects:artistic creation technique and language rhythm.In terms of artistic creation techniques,Su Shi creatively combined his writing techniques of narration,argumentation,lyricism,and landscape painting,and was the first to extensively use allusions in his poetry.At the same time,he extensively used titles and prefaces in his poetry,creating a trend of using titles and prefaces.In terms of language and rhythm,Su Shi′s Ci got rid of the style of the flower writers,carried out bold innovation and actively reformed the rhythm and broke through the constraints of tone,making the Ci free from the limitations of sound and emotion.

关 键 词：苏轼 词 艺术创作手法 语言音律 创新 

分 类 号：I207.23[文学—中国文学]