江南文化视域下蓝印花布技艺在女士皮包中的创新应用  

The Innovative Application of Blue Calico Printing and Dyeing Techniques in Women’s Bag from Jiangnan Cultural Perspective

作　　者：蔡雨轩 周怡 杜心怡 CAI Yuxuan;ZHOU Yi;DU Xinyi(College of Biomass Science and Engineering,Sichuan University,Chengdu 610065,China)

机构地区：[1]四川大学轻工科学与工程学院,四川成都610065

出　　处：《皮革科学与工程》2024年第1期101-108,共8页Leather Science and Engineering

摘　　要：蓝印花布的记忆根植于江南流域。蓝印花布印染技艺不仅是江南城市的文化符号,也是江南文化的具象载体。文章从江南文化的视域出发,进一步探索江南诗性文化的特征与源流,通过分析南通蓝印花布印染技艺的历史渊源与艺术特质,将富有江南艺术审美风格的蓝印花布技艺运用于皮革制品的创新设计中。通过工艺实验与设计创新,结合现代化时尚女包设计特点与当代女性的审美特点,创造出具有江南非遗文化语境与情感温度的人文服饰品,为皮革制品设计的文化交融路径提供新的参考。The memory of blue calico is rooted in the Jiangnan Valley.The printing and dyeing technique of blue calico is not only the cultural symbol of the city,but also the concrete carrier of Jiangnan culture.From the perspective of Jiangnan culture,this paper further explores the characteristics and origins of the poetic culture of Jiangnan,and applies the aesthetic style of Jiangnan art to the innovative design of leather products by analyzing the historical origin and artistic characteristics of the printing and dyeing technology of Nantong blue calico.Through the process experiment and design innovation,combined with the design characteristics of modern fashion women's bags and the aesthetic characteristics of contemporary women,we create humanistic clothing products with the cultural context and emotional temperature of Jiangnan cultural heritage,and provide a new reference for the cultural blending path of leather products design.

关 键 词：蓝印花布印染技艺 江南文化 女士皮包 创新设计应用 

分 类 号：TS56[轻工技术与工程—皮革化学与工程]