中和节的创制与游宴文学的美政参与  

The Creation of the Zhonghe Festival and the Aesthetic Function of Banquet Literature

作　　者：鹿越 LU Yue

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《海峡人文学刊》2023年第4期58-66,152,共10页Journal of Humanities Across the Straits

摘　　要：节日是社会生活的重要组成部分,人为创制新兴节日,是一种巩固政权合法性与稳定性的手段。中和节作为唐德宗创制的新兴节日,是应政治“中兴”的特殊需求而生,而与中和节相关的游宴文学的创作,遍及宫廷与地方、中央与幕府,体现出各地域、各阶层的士人在文学创作活动中,对中和节节日内涵的张扬,对皇帝执政措施的拥护,最终指向了对皇权权威性的重申。唐代以后,中和节的影响力下落到民间,并持续在后世播散着余韵。Festival is an important part of social life,and the artificial creation of new festivals is a means to consolidate the legitimacy and stability of the regime.As a new festival created by Emperor Dezong of Tang Dynasty,Zhonghe Festival was born in response to the special needs of political“middle prosperity”,and the creation of banquet literature related to Zhonghe Festival spread across the court and local areas,the central government and the shogunates,reflecting the literary activities of scholars from all regions and classes,the promotion of the festival connotation of Zhonghe Festival,the support of the emperor’s ruling measures this festival is a symbol of the reiteration of the authority of the emperor.After the Tang Dynasty,the influence of the festival descended to the people and continued to spread its influence in later generations.

关 键 词：节俗 中和节 德宗 游宴文学 幕府 

分 类 号：I209[文学—中国文学]