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作 者:张春[1] 胡婕 ZHANG Chun;HU Jie
机构地区:[1]湖南工业大学艺术学院,湖南株洲412007 [2]中国传媒大学戏剧影视学院,北京100024
出 处:《海峡人文学刊》2023年第4期94-101,154,共9页Journal of Humanities Across the Straits
基 金:湖南省社科基金项目“中外短片比较研究”(17YBA145)。
摘 要:短片是电影新理念的试验田,电影新手往往通过拍摄短片、参加展映和评选活动等方式步入影坛。纪录短片凭借练手的低门槛、便捷性和可控性,成为影视新人快速成长的推进器。中国台湾地区金穗奖获奖纪录短片逐渐走出一条从全盘借鉴到本土化实践的道路,当下则转向多样化的创作表达。纪录短片既反映出台湾地区的社会变迁与百姓境况,也延展了台湾地区本土影像美学的深度与广度。同时,受益于金穗奖短片项目的电影人,为台湾地区电影的持续发展带来诸多契机与希望。Short film is the experimental field of the new concept of film.Novice filmmakers often enter the film industry by making short films and participating in festivals and awards.The documentary short film has become a propeller for the rapid growth of film and television newcomers with its low threshold,convenience and controllability.The award-winning documentary short film of the Golden Harvest Award in Taiwan of China has gradually embarked on a path from overall reference to localized practice.At present,it has turned to diversified creative expression.The documentary short film not only reflects the social changes and people’s situation in Taiwan,but also extends the depth and breadth of Taiwan’s local image aesthetics.At the same time,the filmmakers who benefit from the Golden Harvest Award short film project have brought many opportunities and hopes for the sustainable development of Taiwan’s films.
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