数字化时代博物馆色彩应用跨媒介一致性研究  

Research on Cross Media Consistency of Museum Color Application in the Digital Era

作　　者：邱丽欣 宋文雯[1] 宋立民[2] QIU Lixin;SONG Wenwen;SONG Limin(Color Research Institute of the Art and Science Research Center,Tsinghua University,Beijing 100084;School of Fine Arts,Tsinghua University,Beijing 100084)

机构地区：[1]清华大学艺术与科学研究中心色彩研究所,北京100084 [2]清华大学美术学院,北京100084

出　　处：《湖南包装》2023年第6期89-92,共4页

基　　金：清华大学文科建设“双高”计划项目(2021TSG08202)。

摘　　要：随着数字化时代的发展,博物馆作为一个特殊的公共展示空间,色彩应用越来越多样化,博物馆色彩应用不只以传统物体色的形式呈现,还以光色的形式呈现在不同的显示媒介上,由于呈色原理不同,色彩的表现也会有所差异。文章通过色度学的方法以色卡的物体色和显示器上光色为例进行了测量和对比,结果表明,通过准确的采集、显示和测量,可以保证色彩色相和饱和度的一致性,但在标准照明条件下,色卡的色彩明度高于显示器上的色彩。With the development of the digital era,museums,as a special public display space,have increasingly diversified color applications.Museum color applications are not only presented in the form of traditional object colors,but also in the form of light and color on different display media.Due to different color principles,the performance of colors will also vary.The article uses colorimetric methods to measure and compare the object color of the color card and the light color on the display.The results show that accurate collection,display,and measurement can ensure the consistency of color hue and saturation.However,under standard lighting conditions,the color brightness of the color card is higher than that of the color on the display.

关 键 词：跨媒介色彩应用 色度测量 物体色 光色 

分 类 号：G260.7[历史地理—考古学及博物馆学] G206[一般工业技术—工业设计] TB47