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作 者:周玮璞 Zhou Weipu(School of Chinese Language and Literature,Southwest University,Chongqing 400715,China)
出 处:《天水师范学院学报》2023年第5期94-104,共11页Journal of Tianshui Normal University
基 金:2023年度重庆市研究生科研创新项目“宋蜀刻本唐人文集刊刻风貌流变研究”(CYS23169)阶段性成果。
摘 要:诗格是唐代诗学理论的主要载体,却存在“体裁之辨”滞缓的特点。其中的诗文笔、古律体辨被长期忽视,其后才逐渐得到关注。与诗格内容书写的分期相对应,诗格“体裁之辨”的滞缓也分别表现为初盛唐时期的杂糅与中晚唐时期的混淆。辨体的滞缓主要由诗格功能错位导致。承担文章入门与诗学鉴赏功能导致唐代诗格无法成为一种专一的诗体论述与“诗学规范”,由之形成辨体的杂糅混淆,乃至对唐代近体诗律认识的纷纭杂沓。As the main carrier of poetic theory in tang Dynasty,Shige is generally characterized by the delay of “stylistic discrimination”.The discrimination of “prose,verse,poetry” and “modern style & ancient style poetry”in Shige have experienced a long period of time before being discussed.Corresponding to the difference of Shige connotation during early and late Tang Dynasty,the delay of “stylistic discrimination” in Shige is also showed as “mixture” in the early and “confusion” in the late Tang Dynasty,which is mainly caused by the functional dislocation of Shige.Taking artical introduction and poetry appreciation as the fuction,Shige of Tang Dynasty could not focus on the “poetic standard” of one kind of poetry,which resulted in the stylistic discrimination of poetry,and even the confusing understanding of the modern poetry of Tang Dynasty.
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