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作 者:卢希龙 董方文 汪鹏 陈云霞 曹春娥 莫云杰 张旭 LU Xilong;DONG Fangwen;WANG Peng;CHEN Yunxia;CAO Chun'e;MO Yunjie;ZHANG Xu(Jingdezhen Ceramic University,Jingdezhen 333403,China)
机构地区:[1]景德镇陶瓷大学,景德镇333403
出 处:《中国陶瓷》2023年第12期99-104,共6页China Ceramics
基 金:国家自然科学基金(51862019);江西省教育厅科技项目(GJJ2201017);景德镇市科技项目(20224GY008-18)。
摘 要:通过对北宋仁宗时期景德镇湖田窑出土青白釉香薰的研究,发现其施釉方式为浸釉,香薰盖面部分孔洞填充釉料,接近现代玲珑瓷的特征,可称之为准玲珑瓷。香气在熏炉中停留时间延长,满足了宋代盛行隔火熏香的目的,表明仁宗时期陶瓷工匠在有意识地探索新的装饰效果与功用。准玲珑瓷可视为影青瓷向玲珑瓷过渡的标志,为明清时期景德镇玲珑瓷的大规模烧造奠定了重要的技术基础。分别采用伦氏经验公式法和熔融温度系数法计算了北宋时期景德镇窑与五大名窑瓷釉的成熟温度,并结合实际烧成温度和瓷釉特征进行了对比分析,结果表明:伦氏经验公式法计算结果更接近各古瓷釉特征,可更广泛地用于其他类古瓷釉料成熟温度的估算。Through the study of the blue and white glazed incense burner excavated from Hutian kiln during the reign of the emperor Renzong of the Northern Song Dynasty in Jingdezhen,this paper finds that the glazing method is dipping glaze,and some holes on the cover of the incense burner are filled with glaze,which is close to the characteristics of modern linglong porcelain and can be called quasi-linglong porcelain.The fragrance stays in the burner for a longer period of time,which meets the purpose of the prevalent incense burning in the fire during the Song Dynasty,indicating that ceramic craftsmen were consciously exploring new decorative effects and functions during the reign of Emperor Renzong.In terms of process inheritance,the quasi-linglong porcelain of Hutian kiln in the Northern Song Dynasty was a transitional stage from shadow blue porcelain to linglong porcelain,which laid an important technical foundation for the large-scale firing of linglong porcelain in Jingdezhen in the Ming and Qing Dynasties,and had a role in the history of the development of linglong porcelain.The maturation temperatures of porcelain glazes of Jingdezhen kilns and the five famous kilns in the Northern Song Dynasty were calculated by the empirical Len's formula method and the melting temperature coefficient method,respectively,and were compared and analyzed with the actual firing temperatures and the characteristics of porcelain glazes.
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