中国电影商业探索与革命话语的互渗——以易装表演为中心  

The Interpenetration of Commercial Exploration and Revolutionary Discourse in Chinese Cinema:Focusing on Cross-Dressing Performance

作　　者：丁珊珊 Ding Shanshan

机构地区：[1]南京大学新闻传播学院

出　　处：《艺术传播研究》2024年第1期98-109,共12页Journal of Art Communication

摘　　要：易装表演是指在舞台或者银幕表演中女扮男装或者男扮女装的表演方式。自古至今,无论中外,易装表演都在戏曲和戏剧舞台上有所显影。20世纪初期,电影成为流行的大众娱乐方式,而在中国电影史的长河中,“女扮男装”的易装表演叙事承载了更多层次的社会意义。其间,无论在哪个时段,易装表演在革命话语的点缀或“包装”背后,都或显或隐地体现着电影商业美学的理念。Cross-dressing performance refers to the way women dress up as men or men dress up as women in stage or screen performances.From ancient times to the present day,both in China and abroad,cross dressing performances have appeared in traditional Chinese opera and theatrical stages.In the early 20th century,movies became a popular form of public entertainment,and in the long history of Chinese cinema,the narrative of“women dressing up as men”carried more social significance.Regardless of the time period,behind the embellishment or“packaging”of revolutionary discourse,cross-dressing performances either explicitly or implicitly reflect the concept of film commercial aesthetics.

关 键 词：易装表演 反性别扮演 革命话语 商业电影 

分 类 号：J905[艺术—电影电视艺术]