华阳顾氏递传明初“飞瀑连珠”臞仙琴样连珠式琴——概及明“宁衡益潞”王府斫琴  

Lineage of Emaciated Immortal’s“Feipu Lianzhu”Qin from the Early Ming Dynasty to Huayang’s GU Family——An Overview of Qin Made by“Prince Ning,Heng,Yi,Lu”in the Ming Dynasty

作　　者：王风[1] WANG Feng

机构地区：[1]北京大学中国语言文学系,北京100871

出　　处：《黄钟（武汉音乐学院学报）》2023年第4期77-89,165,共14页Huangzhong:Journal of Wuhan Conservatory of Music

基　　金：故宫博物院2021年开放课题“清宫旧藏古琴相关档案文献与存世实物的调查与研究”阶段性成果;“中国青基会梅赛德斯-奔驰星愿基金”;“北京故宫文物保护基金会”公益资助

摘　　要：明代王府斫琴,世称“宁衡益潞”。宁王琴存世仅孤品“飞瀑连珠”琴。文章由厘清明代王府斫琴总体风格入手,于“飞瀑连珠”琴的器物特点做全面分析。并对明清谱集中有关“连珠琴式”的资料进行梳理,指出存在被称为“臞仙琴样”的特殊连珠式,与“飞瀑连珠”琴的形制应有关联。因而此琴即为宁王琴。另外,文章对该器物的承传做了系统考证,由康熙末年开始,先后有辽阳李廷栋、长沙陆长森,光绪年间转归华阳顾氏,历五代至今。This article reviews information regarding the“lianzhu-style”qin found in the collection of qin scores in the Ming and Qing dynasties,highlighting a rare variation.This variant was thought to be closely related to the“Feipu Lianzhu”qin,thus identified as Prince Ning’s qin.Additionally,the article systematically examines this instrument’s lineage,eventually to the GU family in Huayang during the Guangxu period,who remained for five generations until now.

关 键 词：宁衡益潞 飞瀑连珠 连珠式琴 臞仙琴样 顾梅羹 

分 类 号：J609.2[艺术—音乐]