论贾平凹小说中的“高跟鞋”意象——以《废都》《高兴》《极花》为例  

On the Image of“High Heels”in Jia Pingwa's Novels——Take“The Ruined Capital”“Happy”and“Ji Hua”as Examples

作　　者：陈玉童 CHEN Yutong(School of Literature and Journalism,Baoji University of Arts and Sciences,Baoji Shaanxi 721013)

机构地区：[1]宝鸡文理学院文学与新闻传播学院,陕西宝鸡721013

出　　处：《牡丹江大学学报》2024年第1期32-40,共9页Journal of Mudanjiang University

基　　金：国家社会科学基金项目“陕西‘笔耕文学研究小组’批评群体本土批评经验研究”(16BZW029)。

摘　　要：“鞋”这一意象在古今中外的文学作品中被广泛使用。贾平凹作为中国当代最擅长使用意象的作家之一,“鞋”意象在其作品中俯首皆是。以《废都》《高兴》《极花》三部作品为例,深度解读“高跟鞋”意象在作品中所承载的追寻主题和性隐喻,对解读贾平凹的女性观有一定意义。The image of“shoe”has been widely used in the literature of ancient and modern.Jia Pingwa,as one of the best writers in contemporary China who is good at using images,has the image of“shoes”all over his works.Taking the three works of“The Ruined Capital”“Happy”and“Jihua”as examples,the in-depth interpretation of the pursuit of theme and sexual metaphor carried by the image of“high heels”in the works has certain significance for the interpretation of Jia Pingwa's view of women.

关 键 词：贾平凹 高跟鞋意象 女性观 

分 类 号：I206.7[文学—中国文学]