双墩遗址刻画符号的视觉美学探析  

Visual Aesthetic Analysis of the Symbols of Shuangdun Site

作　　者：张慧光[1] ZHANG Huiguang(School of Art and Design,Bengbu University,Bengbu 233000,China)

机构地区：[1]蚌埠学院艺术设计学院,安徽蚌埠233000

出　　处：《皖西学院学报》2023年第6期144-151,共8页Journal of West Anhui University

基　　金：蚌埠学院社会科学重点项目(2021SK02zd)。

摘　　要：双墩遗址刻画符号数量众多,内容多样,其丰富的造型形式和深厚的文化寓意承载着双墩先民特有的审美意趣和精神内涵,可谓同时期刻画符号的集大成者。这些生动形象美轮美奂的刻画符号,以写实模拟与抽象提炼为基本的“观物取象”方法,以几何式、秩序化和情节性为主要造型结构,以近取诸身、远取诸物、物我同构为重要的造像方式,在生命认知和生计适应双向合璧中构筑出物我相融、物我共生的物质世界与精神家园,成为双墩先民自然观、生活观、审美观、宗教观的感性呈现。具有很高的审美价值、文化价值和经济价值。There are a large number of symbols in Shuangdun site,and the content is diverse.Its rich shape forms and profound cultural connotations carry the unique aesthetic interest and spiritual connotation of Shuangdun ancestors,which can be described as a collection of symbols in the same period.These vivid and beautiful depictions of symbols take realistic simulation and abstract abstraction as the basic method of“viewing objects and taking images”,geometric form,order and formality as the main modeling structure,and take people and stuff available everywhere as the important sources of making images.In the bidirectional combination of life cognition and livelihood adaptation,it builds a material world and spiritual home where nature and man are integrated and nature and man are symbiotic,and becomes a perceptual presentation of the ancestors'views on nature,life,aesthetics and religion.It has high aesthetic,cultural and economic value.

关 键 词：双墩遗址刻画符号 视觉要素 视觉美学 价值发现 

分 类 号：J501[艺术—艺术设计]