“本体探寻”与“艺术实践”的合一——冯中一新时期以来的诗歌理论  

The Integration of“Noumenon Exploration”and“Art Practice”——Feng Zhongyi’s Poetry Theory Since the New Period

作　　者：马春光[1] Ma Chunguang(Shandong University)

机构地区：[1]山东大学人文社科青岛研究院

出　　处：《写作》2023年第6期37-43,共7页Writing

摘　　要：冯中一新时期以来的诗学研究涉及新诗的审美本体研究、诗歌创作论、诗歌鉴赏论、诗歌现象解读、诗人个案研究等多个方面,彰显出“本体探寻”与“艺术实践”合一的理论品格。他在新时期的时代转捩点中恢复现代诗的本体研究,召唤诗歌的审美本体和艺术自觉,重新激活诗歌研究的内部活力。冯中一的诗歌理论带有强烈的实践性品格,他置身于1980年代的诗歌现场,深度参与并推进了当代诗歌的现代化进程,同时以超前的艺术视野和洞察力预示了1990年代诗歌的艺术征兆和创作手法。冯中一新时期以来的诗学研究是当代新诗研究历史进程中价值观与方法论转型的重要桥梁。Feng Zhongyi’s poetics research since the new period involves the aesthetic noumenon of new poetry,the theory of po⁃etry creation,the theory of poetry appreciation,the interpretation of poetry phenomena,the case study of poets and other aspects,highlighting the theoretical character of the integration of“noumenon exploration”and“artistic practice”.In the turning point of the new era,he restored the ontology study of modern poetry,summoned the aesthetic ontology and artistic consciousness of poet⁃ry,and reactivated the internal vitality of poetry research.Feng Zhongyi’s poetry theory has a strong practical character.He placed himself in the scene of poetry in the 1980s,deeply participated in and promoted the modernization process of contemporary poetry,and predicted the artistic signs and creative techniques of poetry in the 1990s with his advanced artistic vision and insight.Feng Zhongyi’s poetics research since the New period is an important bridge for the transformation of values and methodology in the historical process of contemporary new poetry research.

关 键 词：冯中一 诗歌理论 审美本体 批评实践 

分 类 号：H315[语言文字—英语]