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作 者:冯克红[1] 靳慧[1] FENG Ke-hong;JIN Hui(School of Foreign Languages,Nanchang Hangkong University,Nanchang 330063,China)
出 处:《南昌航空大学学报(社会科学版)》2023年第4期70-76,共7页Journal of Nanchang Hangkong University(Social Sciences)
基 金:2019年江西省高校人文社会科学研究项目“当代法国生态小说研究”(WGW19105)。
摘 要:法国作家罗曼•加里的很多作品都融入了他对西方现代文明和生态危机的思考,着力展现西方二元论下男性与女性、人与自然的冲突和对立关系。他的文学创作通过对人类中心主义和物质主义的批判,揭示了压迫自然和女性的共同根源——父权制统治逻辑。作家通过小说中唯一女性形象的塑造,阐释了女性在反抗男权社会压迫、亲近自然、保护自然中的双重救赎价值,指出了导致当下生态危机和文明危机的思想文化根源;通过主人公对大自然的亲近和回归,指出了重建人与自然和谐平衡的生态路径。Many of Romain Gary’s literary works are imbued with his thoughts on western modern civilization and eco-crisis,showcasing the conflicts and opposing relationships between men and women,and between humans and nature under western dualism.Through criticism of anthropocentrism and materialism,his writings uncover the patriarchal ruling logic that leads to the dual oppression of women and nature.With the portray of the only female image,he reveals the value of women’s dual redemption in their struggle against oppression of the male dominated society,their affinity to nature,protection of nature,as well as the ideological and cultural roots that bring about the current eco-crisis and civilization crisis.In connection with protagonists’affinity and return to nature,he sheds light on the ecological road to the rebuilding of the harmony and balance between man and nature.
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