论音乐剧《伊丽莎白》的叙事特征和审美内涵  

On the Artistic Characteristics and Aesthetic Connotation of the Musical Drama Elizabeth

作　　者：格桑拉姆 GESANG Lamu(College of Liberal Arts,Lanzhou University,Lanzhou 730070,China)

机构地区：[1]兰州大学文学院,兰州730070

出　　处：《兰州交通大学学报》2023年第6期162-166,共5页Journal of Lanzhou Jiaotong University

摘　　要：音乐剧《伊丽莎白》是德语音乐剧的代表作,也是全球范围内最受欢迎,影响力最广的音乐剧之一,已经有德语、匈牙利语、葡萄牙语、挪威语、日语、韩语等多个版本。《伊丽莎白》以19世纪末欧洲动荡的局势以及走向衰亡的哈布斯堡王朝为社会背景,塑造了一位在腐朽的制度中追求自由的“新人”:奥地利皇后伊丽莎白。此剧聚焦于她的内心世界,借“死神”这一虚拟人物来展现伊丽莎白内心的挣扎,将历史真实与虚拟的戏剧化表现结合起来。剧中不仅有大量唱段进行直接、充沛的情感表达,凝练流动的舞台也为主角内心的呈现搭建了丰富的意象空间,具有鲜明的表现主义戏剧特征。The musical Elizabeth is a representative work German musical,which is also one of the most popular and influential musicals in the world.With the turbulent situation in Europe in the late 19th century and the decline of the Habsburg dynasty as the social background,Elizabeth created a"newcomer"who pursued freedom in the decadent system:the Empress Elizabeth of Austria.The play focuses on her inner world,using the virtual character of"Death"to show Elizabeth's inner struggle,combining historical reality with virtual dramatic performance.The play not only has a large number of songs for direct and abundant emotional expression,but also the concise and flowing stage has set up a rich image space for the presentation of the protagonist's inner heart,with distinct characteristics of expressionist drama.

关 键 词：悲剧 德国社会 精神 象征性 表现主义 

分 类 号：J605[艺术—音乐]