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作 者:高羽 Gao Yu(Institute of New Poetry of China,Southwest University,Chong Qing 400715)
出 处:《鹿城学刊》2023年第4期10-13,25,共5页Journal of Lucheng
摘 要:早期白话诗人的诗作在20世纪20年代相继被谱曲入乐,徐志摩诗歌的音乐化因独特的审美价值和流传效应成为此中尤为值得关注的问题。其诗歌本身具有的音乐性,及诗歌向歌词转化过程中进行的诸多改编,都助力了诗作与歌曲在彼此借重中再度实现审美意义、扩大传播范围。考察现代歌词对徐志摩诗歌的改编,目的在于探究中国现代诗乐结合的可行路径,引发现代学人再度思考身陷困境的诗歌与歌词创作,以探求如何实现诗歌受众群体的扩大及歌词艺术水平的提升。The poetry of early vernacular poets in the 1920s was gradually set to music,and the musicalization of Xu Zhimo’s poetry stands out due to its unique aesthetic value and impact.The inherent musicality of his poetry and the numerous adaptations it underwent during its transformation into lyrics have contributed to the aesthetic significance and expanded reach of his works and songs.The examination of the modern adaptation of Xu Zhimo’s poetry into lyrics aims to explore feasible paths for the integration of modern Chinese poetry and music.This study prompts contemporary scholars to reconsider the relationship between poetry and lyrics,both of which are confined within their respective boundaries,and seeks ways to expand the audience for poetry and enhance the artistic quality of lyrics.
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