敦煌与佛传文学  

Dunhuang and Buddhist Biographical Literature

作　　者：[日]荒见泰史[1] 胡逸蝶(译) 刘丹(校) Hiroshi Arami;Hu Yidie;Liu Dan(Hiroshima University,Hiroshima,Japan 739-0046;School of Foreign Languages,Hubei University of Chinese Medicine,Wuhan 430065,Hubei,China;School of Chinese Language and Literature,Wuhan University,Wuhan 430072,Hubei,China)

机构地区：[1]广岛大学人文科学学院,日本广岛739-0046 [2]湖北中医药大学外国语学院,湖北武汉430065 [3]武汉大学文学院,湖北武汉430072

出　　处：《长江学术》2024年第1期83-96,共14页Yangtze River Academic

摘　　要：敦煌留存有大量造型艺术及文字资料,公元4世纪左右,最早期的敦煌壁画中便已有了与佛传故事相关的内容。从佛传类壁画和写本中,可以探知统治者和宗教人士传教的目的,以及宗教徒的关心点所在。壁画和写本多取材于通过各种方式传承下来的佛传故事,传承的依据是从佛经中摘录出来的抄略。公元9—10世纪,口传佛传故事逐渐被整理为讲唱文本。壁画、口头传承、讲唱文学三者有着密切的联系,在相互影响的过程中流传开来。Dunhuang has preserved a large number of plastic arts and written materials.Around the 4th century AD,the earliest Dunhuang murals has depicted the content related to Buddhist biographical stories.From the Buddhist biographical murals and manuscripts,we can explore the purposes of the preaching of rulers and religious figures,as well as the concerns of religious followers.The murals and manuscripts mainly drew inspiration from the Buddhist biographical stories that had been inherited through various means.The basis of the inheritance is the excerpts from the Buddhist scriptures.In the 9th-1Oth centuries,oral Buddhist biographical stories were gradually compiled into telling and singing texts.The murals,oral inheritance,and telling and singing literature are closely interconnected and have been spread in the process of mutual influence.

关 键 词：敦煌壁画 敦煌文献 佛传文学 

分 类 号：I207.99[文学—中国文学] K870.6[历史地理—考古学及博物馆学] B948[历史地理—历史学]