非遗皮影戏传承发展研究  

Research on the Inheritance and Development of Shadow Play

作　　者：刘子嘉 LIU Zijia(Liupanshui Normal University,Liupanshui 553004,China)

机构地区：[1]六盘水师范学院,贵州六盘水553004

出　　处：《西部皮革》2024年第1期123-125,共3页West Leather

基　　金：2022年度六盘水师范学院人文社科类一般项目阶段性成果(LPSSYYBRW202206);六盘水市2023年度哲学社会科学立项课题联合课题(lpszs—2023-lh189);六盘水师范学院课程思政教学内容和课程体系改革项目阶段性成果(2022-08-009)。

摘　　要：皮影戏作为中国古老的戏剧、国家级非物质文化遗产之一,通常被誉为“电影的鼻祖”,由于其独特的审美性在民间广为流传。皮影艺术蕴含了丰富的文化内涵,其样式新颖、丰富有趣、故事性强等特点为其能流传至今提供了必要的条件。皮影艺术除了具有极高的艺术价值,还承载着不同地域、不同民族的精神追求与情感表达,在文化历史的长河中扮演着重要的角色。文章以六盘水市皮影戏艺术与当地文化融合进校园研究为核心,对皮影艺术的发展状况与生存环境进行探索,分析了皮影艺术与当地文化的融合情况,通过调研和访谈寻找出皮影艺术在保护与传承的过程中合理的发展策略与途径。Shadow play,as one of China's ancient dramas and national Intangible cultural heritage,is generally known as the"ancestor of movies".Shadow play is widely spread among the people due to its unique aesthetic.Shadow puppetry art contains rich cultural connotations,and its unique styles,richness,and strong storytelling provide necessary conditions for its transmission to this day.Shadow puppetry not only has extremely high artistic value,but also carries the spiritual pursuit and emotional expression of different regions and ethnic groups,playing an important role in the long river of cultural history.This work focuses on the study of the integration of Shadow play art and local culture into the campus in Liupanshui City,explores the development and living environment of shadow play art,analyzes the integration of shadow play art and local culture,and finds out the reasonable development strategies and ways of shadow play art in the process of protection and inheritance through research and interviews.

关 键 词：皮影戏 皮影艺术 文化融合 

分 类 号：J827[艺术—戏剧戏曲]