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作 者:杨楠 王辉 YANG Nan;WANG Hui(Hengxing University,Qingdao 266100,China)
出 处:《西部皮革》2024年第1期126-128,共3页West Leather
摘 要:陕西皮影是中国古老的民间传统艺术,至今已有两千多年的历史。在当今社会中,随着人们生活方式的变化和科技化的发展与普及,大多年轻人对皮影艺术所知甚少,致使皮影这一民间艺术面临着失传的危机。尽管现在陕西有关部门加大了对皮影工艺的保护力度和制作上的扶持,但是受当今各种新思潮新文化的冲击,陕西皮影的发展仍有诸多不利因素。文章对陕西皮影这一民间传统艺术的发展及背景文化进行研究,分析了陕西皮影的文化内涵以及皮影中的人物、动物、神怪、衬景道具等方面的艺术特点,并介绍了陕西皮影图形元素与现代服装设计相融合的一些案例,以期在促进皮影艺术传承与发展的同时,为皮影艺术在现代服装设计中的创新应用提供参考。Shaanxi shadow puppetry is an ancient traditional folk art in China,with a history of over 2000 years.Fewer and fewer young people will learn about shadow puppetry,which is gradually forgotten by people.As the older generation of shadow puppetry artists grow older,this folk art may face a crisis of loss.Although Shaanxi shadow puppetry has received some protection in terms of production technology,its development is still affected by various trendy cultures today.This work mainly studies the development of Shaanxi shadow puppetry and its background culture,explores the cultural connotations of Shaanxi shadow puppetry,as well as the artistic characters of characters,animals,monsters,and scenery props.It also analyzes some cases of the integration of Shaanxi shadow puppetry graphic elements and modern clothing design,in order to promote the inheritance and development of shadow puppetry art,and provide reference for the innovative application of shadow puppetry art in modern clothing design.
分 类 号:J827[艺术—戏剧戏曲] TS941.2[轻工技术与工程—服装设计与工程]
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