希拉里·曼特尔“克伦威尔三部曲”的声誉经济  

On the Economy of Prestige of Hilary Mantel’s the Cromwell Trilogy

作　　者：南健翀[1] 赵欣[2] Nan Jianchong;Zhao Xin(the School of English Studies,Xi’an International Studies University,Xi’an 710128,China;Graduate School of Xi’an International Studies University,Xi’an 710128,China)

机构地区：[1]西安外国语大学英文学院 [2]西安外国语大学研究生院

出　　处：《外国语文研究》2023年第6期22-31,共10页Foreign Language and Literature Research

基　　金：国家社会科学基金一般项目“英国曼布克文学奖的文学生产研究”(项目编号:17BWW086)的阶段性研究成果。

摘　　要：作为两届布克奖得主,希拉里·曼特尔因克伦威尔三部曲蜚声文坛。曼特尔借助知名出版商树立了良好的品牌形象,得到了主流媒体、文学评委及书评人的倾力推介,荣获了英美各大重量级文学奖并迈入英国当代主流文学场。作为当代英国国家认同的文化符码,三部曲也促使曼特尔的声誉获得官方认证并产生资本循环增值。本文从声誉经济角度出发,以三部曲为研究对象,探讨在曼特尔声誉确立和传播阶段,出版商、媒体、文学评委、文学奖及国家文化政策是如何将各类资本转化为曼特尔的声誉并产生经济价值。As a two-time Booker Prize winner,Hilary Mantel made a name with the Cromwell trilogy.Mantel established a good brand image with the renowned publisher,highly recommended by mainstream media,literary critics and book reviewers,and won prestigious literary awards worldly,entering the heart of the field of the contemporary British literary production.Serving as a cultural symbol of contemporary British national identity,the trilogy makes Mantel's prestige officially certified and generates circular appreciation.From the perspective of economy of prestige,this paper examines how publisher,the media,literary judges,literary prizes,and national cultural policies converted various types of capital into the prestige of Mantel and generated economic capital during the establishment and circulation of her prestige.

关 键 词：希拉里·曼特尔 克伦威尔三部曲 声誉经济 

分 类 号：I561.074[文学—其他各国文学]