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作 者:张敏[1] ZHANG Min(College of Chinese Language and Literature,Hebei Normal University,Shijiazhuang,Hebei,050024,China)
出 处:《河北师范大学学报(哲学社会科学版)》2024年第1期69-75,共7页Journal of Hebei Normal University(Philosophy and Social Sciences)
基 金:河北省文学艺术界联合会委托项目“河北艺术通史”(项目编号:103/20103128)。
摘 要:许道宁是宋代河北画家中的翘楚,在北宋初年的画坛起到了承上启下的作用。许道宁的生命轨迹与其绘画创作有着紧密关系。许道宁早年在汴京卖药赠画,其绘画风格工整、精巧。中年进入画院,自觉以李成为师,画风萧疏、清旷,成为李成画派最有成就者。晚年游览名山,以自然造化为师,命意狂逸,开创“笔法简快”“峰头直皴”的山水技法和“峰峦峭拔,林木劲硬”的绘画风格,对后世山水画的发展影响深远。As a leading figure among painters from Hebei in the Song Dynasty(960 AD-1279 AD),Xu Daoning(许道宁)played a connecting role in the painting circles during the early years of the Northern Song Dynasty(960 AD-1127 AD).Xu Daoning’s path in life is closely related to his painting work.In his early years,Xu Daoning sold medicines and gave paintings as compliments in the capital,Bianjing(now Kaifeng),and his painting style was scrupulously neat and exquisite.In his middle age,he entered the Painting Academy,where he learned from Li Cheng(李成)out of his free will and became the most accomplished member of the Li Cheng School of Painting.At this time,his paintings were bleak and spacious.In his later years,he visited famous mountains,taking nature as his teacher.His paintings became wild and unrestrained with natural grace.Xu Daoning’s unique painting techniques of“simple and fast brushwork”and“straight crease on the peak”and his painting style of“steep mountains and sharp peaks,and strong and tough trees”have had a profound influence on the development of landscape painting in later generations.
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