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作 者:吴雪丽[1] WU Xue-li(Department of Chinese Literature,Southwest Minzu University,Chengdu 610041,Sichuan Province,China)
机构地区:[1]西南民族大学中国语言文学学院,四川成都610041
出 处:《妇女研究论丛》2023年第6期93-106,共14页Journal of Chinese Women's Studies
基 金:西南民族大学科研资助项目“社会变迁与中国当代乡村叙事中的‘青年问题’研究”(项目编号:2023KYZZ16S)的阶段性成果。
摘 要:周克芹在《许茂和他的女儿们》中对政治历史的“伤痕”书写和弥合,多是通过挪用和吸纳个人的情感、欲望等私人领域的情感关系而得以呈现。重读《许茂和他的女儿们》中的情感政治,是尝试将其置于“前三十年”和“后四十年”的“历史转折”中,考察小说文本中私人领域的父女亲情、姐妹情谊、男女爱情等情感关系的复杂性,及其背后的私人伦理、公共伦理和文化政治、历史逻辑。作为“转折时代”的历史生成物,《许茂和他的女儿们》成为一个文学、文化、政治的镜像,其中情感关系的形塑与重构有着复杂的“历史中间物”之多重面向,在显示其充分的历史批判的同时隐含了明显的历史限度。Xu Mao and His Daughters has presented historical political trauma and its healing through writing about mobilization of and absorbing personal emotions,desires,and other private relationships.To re⁃interpret Xu Mao and His Daughters is to situate this story during the changing times between the first thirty years of Chinese contemporary literature and its last forty years.This helps investigate cultural politics,historical logics,and ethics in private and public areas through the examination of the complexity of private emotional re⁃lationships between father and daughters,between sisters,and men and women.As a product at the“historical turning point”,Xu Mao and His Daughters has provided a literary,cultural,and political mirror image,which has helped reveal the shaping and reconstruction of emotional relations ultimately affected by the multi⁃faceted“historical median”.Often such provision of the image demonstrates its suffi⁃cient historical criticism also imply its obvious historical limitations.
关 键 词:《许茂和他的女儿们》 转折时代 情感关系 文化政治
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