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作 者:程妍 Cheng Yan
机构地区:[1]沈阳音乐学院钢琴系
出 处:《乐府新声(沈阳音乐学院学报)》2023年第4期122-127,共6页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
摘 要:19世纪末20世纪初的俄罗斯处于欧洲革命运动的中心,时代变迁的动荡在20世纪初期表现得尤为明显。在历史的转型阶段,俄罗斯的政治、经济和文化都发生了巨变,各种进步新潮的哲学思想涌入人们视野,从而使这个时期与文化艺术相关的领域都受到了深远的影响,世纪之交的俄罗斯音乐风格也在不断变化和发展。亚历山大·尼古拉耶维奇·斯克里亚宾和谢尔盖·瓦西里耶维奇·拉赫玛尼诺夫作为该时期最具代表性的两位作曲家,对20世纪以后的俄罗斯音乐发展起到了重要作用。本文通过分析斯克里亚宾与拉赫玛尼诺夫的音乐创作与表演风格美学,探索该时期音乐风格的多样化与多种音乐语言表达。At the end of the 19th century and the beginning of the 2oth century,Russia was at the center of the revolutionary movement in Europe,and the turbulence of the changing times was particularly evident in the early 20th century.In the historical transition stage,Russia's politics,economy and culture have undergone great changes,and various progressive and trendy philosophical ideas have flooded into people's vision,thus profoundly influencing the fields related to culture and art during this period.The Russian music style at the turn of the century is also constantly changing and developing.Alexander Scriabin and Sergei Vasilyevich Rachmaninoff,as the two most representative composers of the period,inherited the traditional style of Russian music,and constantly created new musical thinking and techniques,which played an important role in the development of Russian music after the 2oth century.By analyzing the aesthetics of Scriabin's and Rachmaninoff's music creation and performance styles,this paper explores the diversification of musical styles and the expression of multiple musical languages in this period.
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