藏学中的音乐研究——我国藏族音乐研究现状综述  

Music Research in Tibetan Studies—An Overview of the Current Status of Tibetan Music Studies in China

作　　者：觉嘎[1] Chogar(School of Arts,Tibet University,Lhasa,Xizang 850000)

机构地区：[1]西藏大学艺术学院,西藏拉萨850000

出　　处：《西藏大学学报（社会科学版）》2023年第4期62-69,共8页Journal of Tibet University

基　　金：2019年度国家社会科学基金重大项目“环喜马拉雅艺术图谱绘制”阶段性成果,项目号:19ZDA045。

摘　　要：藏族音乐是藏族文化的重要组成部分,因此藏族音乐研究不仅是藏学研究的重要组成部分,也是人文社会科学领域的重要研究范畴。自20世纪50年代以来,我国藏族音乐研究领域陆续取得了一些阶段性成果,对我国少数民族音乐研究及其学科架构的形成产生了积极作用。随着改革开放,尤其进入新世纪以来,藏族音乐领域的学术研究取得了更加瞩目的成就,研究成果及学科人才的积累都呈现出蓬勃发展的态势。文章以出版的学术著作、博士学位论文及重要集成资料等研究成果作为主要评价坐标,对藏学研究中的音乐研究,即我国藏族音乐研究现状作了概括评述。Tibetan music is an important part of Tibetan culture,so the research of Tibetan music is not only an es⁃sential part of Tibetan studies,but also a crucial research domain in the realm of humanities and social sciences.Since the 1950s,Tibetan music research in China had achieved significant research results one after another,which have played a positive role in the formation of the music research of minority ethnic groups and its disci⁃plinary structure in China.With China's reform and opening up,especially since entering the new century,the academic research of Tibetan music has made even more remarkable achievements,both in terms of research re⁃sults and the increase of researchers have shown unprecedented development.Taking published academic works,doctoral dissertations and important integrated materials and other research results as the main evaluation coordi⁃nates,the article makes a general review of music research in Tibetan studies,i.e.,the current situation of Tibet⁃an music research in China.

关 键 词：藏学 藏族音乐 研究成果 综述 

分 类 号：J607[艺术—音乐]