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作 者:张广才[1] ZHANG Guangcai(Nanchang Institute of Science and Technology,Nanchang 330108,China)
机构地区:[1]南昌工学院,江西南昌330108
出 处:《南昌师范学院学报》2023年第6期67-71,共5页Journal of Nanchang Normal University
基 金:江西省社会科学“十四五”课题“清代王安石诗歌接受研究”(21WX18)。
摘 要:以“乾隆三大家”袁枚、赵翼和蒋士铨为代表的一代清中期诗人,打破诗坛长久以来形成的根深蒂固的唐宋诗之争及门户派别的局限,以历史视角审视唐宋作家的诗词作品,用更为客观的态度、理性的精神加以批判和继承,从诗学视角创新性地表现出更为全面的审美视野。笔者拟从“性灵说”思想下袁枚对王安石诗歌的接受、“诗贵自然”思想下赵翼对王安石诗歌的接受、蒋士铨历史政治关照思想下对王安石诗歌的接受三个方面展开论述,以呈现清代中期王安石诗歌接受情况。The“Three Greats of the Qianlong Era”-Yuan Mei,Zhao Yi,and Jiang Shiquan-represented the poets of the mid-Qing Dynasty who broke away from the long-standing,entrenched dispute over the poetry between Tang and Song dynasties and the limitations of their respective literary factions.They adopted a more objective and rational approach to critique and inherit the works of Tang and Song poets,offering a comprehensive and innovative aesthetic perspective.This paper discusses the reception of Wang Anshi s poetry from three angles:Yuan Mei s acceptance under the philosophy of“spiritual resonance”,Zhao Yi s acceptance under the idea that“poetry values naturalness”,and Jiang Shiquan s acceptance considering his views on historical and political context.The aim is to present how Wang Anshi s poetry was received during the mid-Qing Dynasty.
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