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作 者:王利娟 WANG Lijuan(School of Foreign Studies,Nanjing University)
机构地区:[1]南京大学外国语学院
出 处:《南京林业大学学报(人文社会科学版)》2023年第6期84-93,共10页Journal of Nanjing Forestry University(Humanities and Social Sciences Edition)
摘 要:中国乡村转型过程中出现的自然、社会与精神生态等方面的问题在近几十年来引起了作家们特别是地域和乡土作家的持续关注与思考。乡村与城市、传统与现代、人与自然之间的关系应该如何处理依然是困扰当代人的重要问题。陈应松的《松鸦为什么鸣叫》和《森林沉默》等神农架系列小说对这些问题也进行了殷切的关注与思考。将这些作品置于田园-生态视域下探究发现:以现代交通设施与工具等“现代机器”为代表的现代文明力量进入人烟稀少、生活朴素、较为原始的“未被破坏的”荒野后,虽然在一定程度上给山区带来了便利,但是也带来了自然生态和精神生态问题。这些作品通过将心存生态良知与生命敬畏感的山里人和来自现代工商业文明的外来者们进行对比,批判了现代社会的“灵魂灾荒”和信仰缺失,折射出对精神守望和精神“还乡”的吁求,蕴含了人与人、人与自然和谐共生的生态田园理想。In recent decades,issues related to the natural,social and spiritual ecology that have emerged in the process of rural transformation in China have aroused continuous attention and reflections from writers,particularly the regional and local authors.The relationships between rural and urban areas,between tradition and modernity,and between man and nature remain a crucial issue troubling contemporary individuals.Chen Yingsong’s Shennongjia novel series,including Why did the Crow Moo and The Silence of the Forest,address and contemplate these issues.The exploration of these novels in the context of pastoral-ecology reveals that the entry of modern civilization,represented by modern transportation facilities and vehicles,into the sparsely populated,primitive,and ecologically“undisturbed”wild areas has,to a certain extent,brought convenience to mountainous regions.However,it has also introduced issues related to natural and spiritual ecology.Through the comparison of Shennongjia local inhabitants with ecological conscience and reverence for life and the outsiders from the modern industrial and commercial civilization,these works criticize the“spiritual famine”and loss of faith in modern society,reflect an appeal for spiritual guardianship and spiritual“return”,and imply an eco-pastoral ideal featuring the harmonious interpersonal and human-nature relationships.
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