1980年代内地武侠文学的发生与革命文学的蜕变——以天津作家冯育楠为中心的考察  

The Occurrence of Martial Arts Novels and the Transformation Revolutionary Literature in the China's Mainland in the 1980s:A Case Study of Feng Yunan,a Tianjin Writer

作　　者：魏英[1] WEI Ying(School of Arts,Xi’an University of Foreign Chinese,Xi’an 710128,China)

机构地区：[1]西安外国语大学艺术学院,陕西西安710128

出　　处：《苏州教育学院学报》2023年第6期24-32,共9页Journal of Suzhou College of Education

基　　金：教育部人文社会科学重点研究基地重大项目(16JJD750009);陕西省哲学社会科学研究专项项目(2023QN0390);西安外国语大学校级科研项目(23XWC27)。

摘　　要：1980年代的内地武侠小说与革命文学在美学上存在承继关系。以内地作家冯育楠为例,其小说表现出革命文学的影响,特点是注重塑造理想型侠客形象,注重情节与革命历史的关联,注重特定价值观的传播。这种带有左翼色彩的武侠小说可以追溯到1950年代民国武侠小说作家宫白羽的作品,并在1980年代内地武侠热中蔚成大观。从发生机制来看,1980年代的内地武侠小说产生于渐趋多元化的市场环境,面对大众读者的娱乐需求,冯育楠试图将教育性与娱乐性相结合,追求“寓教于乐”的效果。大众读者的登场为作家的“文学突围”保驾护航,但他并未走向媚俗。In the 1980s,there was an aesthetic inheritance relationship between mainland martial arts novels and revolutionary literature.Taking mainland writer Feng Yunan as an example,his novels show the influence of revolutionary literature,which is characterized by focusing on the creation of an ideal chivalrous image,the connection between the plot and revolutionary history,and the dissemination of specific values.This kind of left-wing martial arts novel can be traced back to the works of the Republic of China martial arts writer Gong Baiyu in the 1950s,and it was a big sight in the 1980s in the mainland martial arts craze.From the perspective of the occurrence mechanism,the mainland martial arts novels in the 1980s were produced in an increasingly diversified market environment,and in the face of the entertainment needs of mass readers,Feng Yunan tried to combine education and entertainment,and pursued the effect of“edutainment”.The appearance of mass readers escorted the writer’s“literary breakthrough”,but he did not go to kitsch.

关 键 词：冯育楠 宫白羽 武侠小说 革命文学 左翼 

分 类 号：I206.7[文学—中国文学]