文学史重构与文体升降——周作人批判清季文论发微  

Reconstruction of Literary History and Alteration of Literary Genres:Analysis of Zhou Zuoren’s Critique of Literary Theory in the Late Qing Dynasty

作　　者：白新宇 BAI Xinyu(School of Chinese Language and Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《苏州教育学院学报》2023年第6期78-87,共10页Journal of Suzhou College of Education

摘　　要：周作人留日时期创作的文本叠印着其自我思想清理的光影,他在把握西方近代文明的同时,超克了晚清思想界的流行观念。文章在文本考证的基础上,细致梳理了周作人批判清季文论的基本情况,分析批判的内在理据,指出周作人从文学概念的重新界定、文学史图景的重构、文体升降中小说的位置三个方面,摧陷经学传统对文学的羁勒,廓清清季文论的功利主义迷思,在中国近现代文学观念的转变历程中具有重要价值。Zhou Zuoren’s works during his stay in Japan are superimposed with the light and shadow of self-reflection,grasping the modern Western civilization while overcoming the popular notions of the late Qing ideology.On the basis of the textual research,the paper carefully studies the circumstances of Zhou Zuoren's critique of the Qing literary theory and analyzes the inner logic of the critique.The article points out that Zhou Zuoren has broken the fetters of traditional Confucian classics on literature and clarifies the utilitarian myths of the Qing literary theory from three aspects:the redefinition of literary view,the reconstruction of literary history and the position of fiction in the alteration of literary genres,which is of great value in the transformation process of modern Chinese literary ideas.

关 键 词：文学观 周作人 林传甲 林纾 梁启超 文学史 

分 类 号：I206.6[文学—中国文学]