“斯坦尼体系中国化”--中国现代戏剧学科话语体系的建构  

“Sinicization of the Stanislavsky System”:The Construction of the Discourse System of Modern Chinese Theatre Discipline

作　　者：胡星亮[1] HU Xingliang

机构地区：[1]南京大学文学院

出　　处：《戏剧艺术》2023年第6期1-13,共13页Theatre Arts

基　　金：国家哲学社会科学基金艺术学重大项目“中国话剧演剧学派研究”(20ZD21)阶段性成果。

摘　　要：创立中国话剧演剧学派是建构中国现代戏剧学科体系的重要内容,“斯坦尼体系中国化”则是创立中国话剧演剧学派、建构中国现代戏剧学科话语体系的重要探索。近半个世纪的“斯坦尼体系中国化”,经历了从借鉴斯坦尼体系以“建立现实主义的演剧体系”到“把它化成自己的东西,并逐步建立自己的体系”的发展过程。“斯坦尼体系中国化”的探索又发展出“我们要有中国的导演学派、表演学派”的构想。The establishment of the Chinese Huaju performance school is a significant part of the construction of the modern Chinese theatre discipline system, and the “sinicization of the Stanislavsky system” is a crucial exploration of the establishment of the Chinese Huaju performance school and the construction of the discourse system of Chinese modern theatre discipline. The “sinicization of the Stanislavsky system” has undergone a continual development process over the past 50 years — from learning from the Stanislavsky system to “establishing a realistic theatre system”, and further to “turning it [the System] into something of our own and gradually establishing our own system”. The exploration of the “sinicization of the Stanislavsky system” has given rise to the concept that “we must have our own Chinese school of directing and acting”.

关 键 词：斯坦尼体系中国化 中国现代戏剧学科 中国话剧演剧学派 话语体系 

分 类 号：J80[艺术—戏剧戏曲]