论印度女性思想与民族文化传统的结合——以奈都夫人为中心的考察  

On the Combination of Indian Feminine Thoughts and National Cultural Tradition:A Study on Sarojini Naidu

作　　者：王春景 WANG Chunjing(Faculty of Humanities,Shenzhen University,518000,Shenzhen,China)

机构地区：[1]深圳大学文学院,深圳518000

出　　处：《北方工业大学学报》2023年第5期28-35,共8页Journal of North China University of Technology

基　　金：国家社会科学基金一般项目“20世纪上半叶汉译印度题材作品研究”(21BWW031)。

摘　　要：印度女性思想的发展有着与西方女性主义不同的历史语境,诗人奈都夫人的创作及思想变化体现了印度女性运动和女性文学的发展规律。奈都夫人的写作有一个从西方向东方、从世界向本土的转向过程。她在诗歌中重新阐释了印度传统文化,从积极的方面认识古老传统,并表现了古典诗学的“味论”传统。奈都夫人肯定传统文化所强调的女性美德,其思想有着明确的本土立场,并有意识地与西方女性运动、女性主义思想进行对话,反映了民族独立时期女性思想与民族命运的紧密联系。奈都夫人女性思想中的本土观念及创作实践具有典范意义。The development of Indian feminine thoughts has a different historical context from that of Western feminism.The creation and ideological changes of the Sarojini Naidu reflect the development tendency of Indian feminist movement and female literature.Sarojini Naidu’s writing endeavors reflect a distinct trajectory,marked by a transition from Western to Eastern and from a global perspective to a local one.Within her poetry,she undertakes a profound reinterpretation of traditional Indian culture,demonstrating a positive engagement with ancient traditions while also reflecting the classical poetic tradition of“rasa”.Sarojini Naidu affirms the virtues of womanhood which emphasized by traditional culture.Her intellectual perspective unequivocally aligns with the local ethos and consciously engages in a dialogue with the Western feminist movement and feminist ideologies.Sarojini Naidu’s indigenous concepts and creative practices in feminine thought have exemplary significance.

关 键 词：印度女性文学 萨洛季尼·奈都 本土话语 

分 类 号：I106[文学—世界文学]