走向对话与融合:多元文化主义视域下的《小小小小的火》三维承认政治书写  

Dialogue and Merge:Three-dimensional Recognition Politics Writing on Little Fires Everywhere under the Theory of Multiculturalism

作　　者：贾东旭 JIA Dongxu(School of Foreign Studies,Shandong University of Finance and Economics,Jinan,250014,China)

机构地区：[1]山东财经大学外国语学院,济南250014

出　　处：《安阳工学院学报》2024年第1期97-102,共6页Journal of Anyang Institute of Technology

基　　金：山东财经大学研究生创新项目“华裔作家身份建构的基本范式研究”(Y20201079)。

摘　　要：《小小小小的火》(Little Fires Everywhere,2017)(以下简称《小小火》),是新生代华裔女作家伍绮诗(Celeste Ng)继处女作《无声告白》后的又一扛鼎力作,在当代族裔文学界掀起一股不小的波澜。该小说承继边缘人的叙事模式,运用从微观到宏观的书写技巧,将东西方文化差异景观置于多元文化融合的全球化时代政治背景下,以解构固有的二元对立模式为终极目标,祛魅西方神话,并置东西方文化。本文以泰勒的承认政治(recognition politics)理论为视阀观照,分别从身份承认、亚文化承认以及共同体承认3个维度去探索承认政治的可能性,以期发掘当今时代族裔文学书写的新范式,以及主流社会完全接纳族裔文学承认政治的可能性。Following the debut of Everything I Never Told You,Little Fires Everywhere caused another sensation,making Celeste Ng much more distinguished in the realm of ethnic literature.Adhering to marginal narrative paradigm and micro to macro writing technique,this novel places the cultural differences between the Chinese and Western cultures under the background of globalization with multiculturalism in a bid to deconstruct the binary opposition,de-mesmerize western myths,and juxtapose the two cultures.This paper takes Taylor's recognition politics as the theoretical framework to explore the accessibility of recognition politics from identity recognition,sub-cultural recognition and community recognition,while expecting to discover new paradigm of ethnic literature and the possibility of mainstream society to fully accept the ethnic literature recognition politics.

关 键 词：对话与融合 《小小的火》 族裔文学 多元文化主义 三维承认政治书写 

分 类 号：G64[文化科学—高等教育学]