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作 者:时国强[1] SHI Guoqiang(College of Language and Literature,Shangqiu Normal College,Shangqiu Henan,476000,China)
出 处:《重庆文理学院学报(社会科学版)》2024年第1期84-91,共8页Journal of Chongqing University of Arts and Sciences(Social Sciences Edition)
基 金:河南省哲学社会科学规划项目“魏晋南北朝文学演变中的民俗因素研究”(2021BWX028)。
摘 要:魏晋南北朝的俭葬习俗淡化了死亡的神秘感,使挽歌作者能够理性平和地看待死亡,保持一种较为超然客观的态度,促成了自挽作品的出现。各种丧葬仪式为挽歌创作提供了丰富的意象,成为挽歌描写的重要内容。挽歌正式纳入礼制,得到官方书面形式的认可后更受重视更为普及,促进了献赠挽歌作品的创作,激发了欣赏挽歌、演唱挽歌的兴趣,对名士风流的形成产生了一定影响。The frugal burial customs of the Wei,Jin,Southern and Northern Dynasties weakened the mystery of death,enabling elegy writers to view death rationally and calmly,maintaining a relatively detached and objective attitude,and promoting the emergence of self-help works.Various funeral ceremonies provide rich imagery for the creation of elegy,becoming an important content of elegy description.Elegy was officially incorporated into the ritual system,and after being recognized in official written form,it gained more attention and popularity,promoting the creation of sacrificial elegy works,stimulating the interest in appreciating and singing elegy,and having a certain impact on the formation of celebrities and celebrities.
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