朱子理学视域下中韩九曲文化景观营造之异同  

Nine-Tune Garden Cultural Landscape between China and Koreanunder Zhu Zi’s Neo-Confucianism

作　　者：彭鸿绪 吴单程 吴昊[1] 姜泰昊 PENG Hong-xu;WU Dan-cheng;WU Hao;JIANG Tai-hao(School of Architecture and Urban Rural Planning,Fuzhou University,Fuzhou,350108,Fujian)

机构地区：[1]福州大学建筑与城乡规划学院,福建福州350108

出　　处：《蚌埠学院学报》2024年第1期36-40,112,共6页Journal of Bengbu University

基　　金：福建省哲学社会科学规划项目(FJ2021C035)。

摘　　要：朱子理学在中国乃至世界哲学思想体系中都占有重要的位置,在中国武夷九曲园林与韩国玉山九曲园林的营造中起到关键作用,二者在人文内涵和文化景观方面存在差异与联系。人文内涵方面,韩国士林将朱熹推为精神偶像,将武夷九曲作为梦寐以求的理想乡,效仿形成韩国独有的九曲文化。文化景观方面,基于景观意象、书院和石刻等要素,分析武夷九曲与玉山九曲的异同,展示二者的传承关系和各自的发展状况。Zhu Zi’s Neo-Confucianism holds a significant position in the philosophical thought system of China and even the world,which plays a crucial role in the construction of Wuyi Nine-Tune Garden in China and Yushan Nine-Tune Garden in Korea,and Wuyi Jiuqu and Yushan Jiuqu exhibit differences and connections in terms of humanistic connotations and cultural landscapes.In the realm of humanistic connotations,Zhu Zi is regarded as a spiritual idol by Korean scholars,and Wuyi Jiuqu is an ideal homeland,giving rise to Korea’s unique Jiuqu culture.Regarding the cultural landscape,based on elements like landscape imagery,academies and stone carvings,an analysis of the similarities and differences between Wuyi Jiuqu and Yushan Jiuqu reveals the relationship of heritage and the respective stages of development of them.

关 键 词：朱子理学 武夷九曲 玉山九曲 文化景观 异同点 

分 类 号：K249[历史地理—历史学] D691[历史地理—中国史]