俞蛟《潮嘉风月》六篷船空间叙事研究  

A Study of the Spatial Narrative of the Six-Awninged Boats in Yu Jiao’s Chaojia Fengyue

作　　者：余慕原 YU Mu-yuan(College of Liberal Arts of Jinan University,Guangzhou,Guangdong,510632)

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《韩山师范学院学报》2024年第1期80-86,108,共8页Journal of Hanshan Normal University

摘　　要：作为潮州嘉应地区水域繁盛一时的记忆,载妓六篷船存在于清代乾隆朝到光绪朝间,前后约一百五十年,如今已不复可见。清代俞蛟的文言小说《潮嘉风月》记录潮州嘉应地区韩江、梅江水域的风物特色,描绘六篷船上诸妓与士子商贾间的各类轶事,具有独特的地域文化价值。俞蛟笔下的载妓六篷船,既是叙事过程中的空间元素,在承载潮州工夫茶等民俗文化、推动情节发展以及塑造群体形象方面起到了重要作用;同时也是一个叙事空间整体,本身又被赋予了多层次的象征意味,在折射清中期士人心态的同时,也反映了岭南疍民群体悲欢离合的人生境遇。As a memory of the prosperous time in the waters of Jiaying area of Chaozhou,sixawninged boats carrying courtesans existed between the Qianlong and Guangxu Dynasties of the Qing Dynasty for about one hundred and fifty years,but they are no longer found today.The classical Chi⁃nese novel Chaojia Fengyue by Yu Jiao in the Qing Dynasty records the unique features of the Han River and Meijiang River in the Jiaying area of Chaozhou,depicting various anecdotes between courte⁃sans and scholars and merchants on six-awninged boats,which is of unique value to the regional cul⁃ture.The six-awninged boats carrying courtesans in Yu Jiao’s works are not only a spatial element in the narrative process,but also play an important role in carrying folk culture such as Chaozhou Gong⁃fu tea,promoting plot development,and shaping group images.Meanwhile,the boats are also a narra⁃tive space as a whole,which is endowed with multi-level symbolic meanings.While reflecting the mentality of the scholars in the early Qing Dynasty,these boats also reflect the life experiences of the Lingnan boat people,who were full of joys and sorrows.

关 键 词：《潮嘉风月》 韩江 六篷船 空间叙事学 “花娘花艇” 疍民 

分 类 号：I206.2[文学—中国文学]