《聊斋志异》中“墙”的艺术意象浅析  

A Brief Analysis of the Art Imago of“The Wall”in Liaozhai Zhiyi

作　　者：王小树 Wang Xiaoshu(Graduate School,Chinese National Academy of Arts,Beijing 100029,China)

机构地区：[1]中国艺术研究院研究生院,北京100029

出　　处：《蒲松龄研究》2023年第4期41-48,共8页Study on Pu Songling

摘　　要：蒲松龄在《聊斋志异》中构建自己的文学宇宙,让主人公人间冥界、现实幻境自由穿梭,为此他在小说的行文构思中使用了多种“道具”,助力主人公物理空间的“瞬移”,以完成独树一帜的艺术表现。在各种频繁出现的“道具”中,“墙”作为文学叙事的“媒材”尤为耐人寻味。蒲松龄用“墙”沟通现实与幻境,助益“志怪”叙事,链接读者与文本,在成就小说的艺术意蕴和主题表达方面堪称神来之笔。从艺术意象的角度解读分析《聊斋志异》,可以发现这部古代小说更多的创作造诣和艺术审美。Pu Songling constructs his own literary universe in Tales of Liaozhai,allowing the hero to travel freely through the underworld and the fantasy of reality.For this reason,he used a variety of“props”in the writing of the novel to help the protagonist's teleportation of physical space to complete a unique artistic expression.In all kinds of“props”that he used to using in his stories,the“wall”as a literary narrative media is particularly attractive.Pu Songling skillfully employs the motif of the“wall”to convey a seamless blend of reality and fantasy,enriching the narrative of the“strange.”This technique establishes a profound connection between readers and texts,showcasing his mastery in achieving artistic implication and thematic expression within the novel.From the perspective of artistic imagery,we can discern a greater level of creative achievements and aesthetic beauty in this ancient novel.

关 键 词：《聊斋志异》 艺术意象 “墙” 

分 类 号：I207.419[文学—中国文学]