中外文学比较视野下的陌生化与诗歌创作  

A Study of Defamiliarization in Poetic Creation from a Comparative Perspective of Chinese and Foreign Literature

作　　者：张冰[1] ZHANG Bing(Department of Foreign Languages and literafure,Beijing Normal University,Beijing 100091,China)

机构地区：[1]北京师范大学外文学院,北京100091

出　　处：《徐州工程学院学报（社会科学版）》2023年第6期48-54,共7页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：奥波亚兹及其代表人物的陌生化说,自问世以来,风靡文坛,如维·什克洛夫斯基所言,它犹如一条断了尾巴的狗似地跑遍全球。近年一本讨论奥波亚兹即俄国形式主义运动的学术讨论会论文集,就将其命名为“陌生化时代”,即其明证。俄国形式主义因其“冒天下之不韪”地顽固坚持艺术本体论、重形式而轻内容的学术立场,而久矣遭到唾弃,近些年来,才有些许死灰复燃苗头。而在这股“复燃风”中,表现最醒目的,便非“陌生化说”莫属。The defamiliarization theory of OPOYAZ and his representative figures have been popular in the literary world since its inception,just as Viktor Shklovsky said:it runs around the world like a dog with a broken tail.In recent years,a collection of academic seminars on the Russian formalist movement,known as The Age of Defamiliarization,is an evidence of this phenomenon.Russian formalism has been criticized for a long time due to its"risking the universal condemnation"in stubbornly adhering to the academic stance of artistic ontology and emphasizing the form over content.Until recently,it has risen again with some signs of resurgence,among which,the most striking performance is undoubtedly the"defamiliarization theory".

关 键 词：中外文学比较 陌生化 诗歌创作 

分 类 号：I206[文学—中国文学]