意笔塑形 浙派新境——吴山明的人物画创作  

Freehand Brushwork,a New Realm of the Zhe School:Wu Shanming's Creation of Figure Paintings

作　　者：张立辰[1] Zhang Lichen(Central Academy of Fine Arts)

机构地区：[1]中央美术学院

出　　处：《美术》2024年第1期36-39,F0002,共5页Art Magazine

摘　　要：吴山明所专研的“意笔人物画”教学,是新浙派人物画创作取得重大突破最为重要的基础研究。吴山明在具体的人物画教学和创作中,在中国画意象造型规律的基础上,通过深入细致地学术研究,总结提出“意笔人物画”的教学思想与教学方案。他着重解决了以中国意象造型观念和素描造型为基础的人物画教学与创作过程中的三个难题。在20世纪70年代末期,吴山明对中国人物画发展提出11个展望。80年代中后期,吴山明将“宿墨”法用于人物画创作,使得浙派人物画重开新境,作出了开拓性贡献。水法的研究与运用,也是他革新意笔人物画的理论基础,是浙派人物画重开新境的重要节点。吴山明对“宿墨”法的认识,又在黄宾虹先生“宿墨”观念基础上有进一步推进。他对宿墨法的熟练掌控,实现了画面“气、势、力、境”四者的完美结合。The teaching of"freehand figure painting",to which Wu Shanming has dedicated,is the most important basic research that helps the New Zhe School make major headway in the creation of figure paintings.In teaching and creating figure paintings,Wu has been committed to academic research and summarized and proposed teaching ideas and plans of"freehand figure painting"based on the rules of image modeling of the Chinese painting.He has solved three difficult problems in the teaching and creation of figure paintings based on image modeling concepts and sketch modeling in China.In the late 1970s,he put forward 11 prospects for the development of Chinese figure painting.In the mid-to-late 1980s,he applied the"sumo"technique to the creation of figure paintings,which opened up a new realm for figure paintings of the Zhe School and made pioneering contributions.The research and application of the water technique is a theoretical basis for his innovation of freehand figure paintings,and is significant for the Zhe School to open up a new realm of figure painting.Thanks to Huang Binhong's"sumo"concept,Wu Shanming has further advanced his understanding of the"sumo"technique.As a master of the technique,he can perfectly combine the four elements of“atmosphere,momentum,power and artistic conception”in paintings.

关 键 词：吴山明 新浙派 意笔人物画 宿墨法 

分 类 号：J212[艺术—美术]