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作 者:丘挺[1] Qiu Ting(Central Academy of Fine Arts)
机构地区:[1]中央美术学院
出 处:《美术》2024年第1期44-49,共6页Art Magazine
摘 要:当代水墨画多元发展,除了流变不居的造化体认,可供创作参考的图像资源也愈加丰富,题材不断拓展,形式不断创新。如何认知与挖掘中国艺术中的格调和趣味,厘清水墨画的源流、技法乃至其中精神,以达成其自律性和外部拓展的有效统一,是笔者创作探索的重点。通过笔法、墨法、设色手法的拓展,尝试对手卷、屏风、册页等形式,以及纸本、绢本、金笺等材质,对水墨画的空间、叙事性与超越性进行讨论,由此产生个人的笔墨解读与经验。同时借助数字影像等跨媒介手段,对传统文本进行再创作,以传达出水墨画独有的性情、个性、格调与精神境界。Contemporary ink painting has witnessed a diversifed development,with the ever-changing understanding of nature,more abundant image resources for reference,constantly expanded themes and constantly innovated forms.In his exploration of creation,the author focuses on understanding and exploring the style and appeal of Chinese art and clarify the origin,techniques and spirits of ink painting,to realize an efective unity of its self-evolution and external expansion.By expanding brushwork,ink techniques and coloring techniques,the author tries to discuss forms such as hand scrolls,screens,and albums,materials such as paper,silk and gold paper,and the space,narative and transcendence of ink painting,to develop personal understanding and experience.At the same time,with the help of cross-media tools such as digital imaging,the author recreates traditional paintings to demonstrate the feature,style and spiritual realm unique to the ink painting.
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