梁白波都市漫画中的现代主义与性别书写  

Modernism and Gender Awareness in Liang Baibo's Urban Comic Strips

作　　者：章宁书 Zhang Ningshu(Renmin University of China)

机构地区：[1]中国人民大学

出　　处：《美术》2024年第1期67-77,共11页Art Magazine

摘　　要：20世纪30年代民国漫画蓬勃发展,成为中国现代艺术的先锋。梁白波既是现代油画艺术团体“决澜社”的成员,更是一名具有代表性的漫画家。她的都市漫画作品呈现出清晰的现代派风格,除却具有立体主义、野兽主义的倾向之外,还受到了超现实主义和比亚兹莱式美学的影响。此外,作为少数的女性艺术家,梁白波作品中女性意识的觉醒,彰显出民国时期美术发展的现代性特征,同时也折射出历史与个人的局限,以及性别焦虑。In the 1930s,the Republic of China witnessed the Hourishing of comic strips,which became the pioneer of modern Chinese art.Liang Baibo is a member of the Juelan Society",a modern oil painting art group and a representative cartoonist.Her urban comic strips were of clear modernist style,and with tendencies of cubism and fauvism,were infuenced by surrealism and Beardsley-esque aesthetics.In addition,Liang Baibo,one of the few female artists,demonstrated in her artworks the emergence of female awareness,refecting modern features of artistic development in the Republic of China and also the limit of history and individuals and gender anxiety.

关 键 词：梁白波 漫画 决澜社 叶浅予 女性意识 

分 类 号：J218.2[艺术—美术]