米谷漫画创作分期再议  

Discussion on the Stages of Mi Gu's Comic Strip Creation

作　　者：马雯 Ma Wen(Beijing Fine Art Academy Museum)

机构地区：[1]北京画院美术馆

出　　处：《美术》2024年第1期87-97,共11页Art Magazine

摘　　要：作为中国20世纪具有代表性的漫画家,米谷在近30年的创作生涯中,不仅见证了中国社会巨大的变革,也亲历了漫画在不同历史时期的功能转变,更参与了漫画在中国的建构与发展。本文基于策展实践,在考虑历史进程、漫画叙事主题和风格演变的基础上,结合“漫画”本身的功能性变化以及米谷不同时期的身份转型,对米谷的漫画创作分期提出新的思考,即1936年至1947年为个人风格逐步形成阶段;1948年至1949年为风格成熟稳定后的创作高峰期;1950年至1960年则兼顾行政职务与漫画创作,并主编《漫画》杂志;1961年至1965年专注国际时事漫画创作。In his nearly 30 years of creation,Mi Gu,a representative cartoonist in China in the 20th Century,witnessed tremendous changes in Chinese society and the transformation of comic strip functions in different periods,and participated in the development of comic strips in China.Based on curating experience,this article thinks again about stages of Mi Gu's comic strip creation by taking into consideration historical background and change of narrative themes and styles of comic strips and combining changes of comic strips functions and changes of Mi Gu's identities in different periods,namely,from 1936 to 1947,his personal style gradually took shape;from 1948 to 1949,he created a large number of comic strips after his style matured;from 1950 to 1960,he stil engaged in creation while fulfilling administrative duties,and became the editor-in-chief of Manhua;and from 1961 to 1965,he was dedicated to creating comic strips concerning current affairs across the world.

关 键 词：米谷 讽刺漫画 《漫画》杂志 创作分期 

分 类 号：J218.2[艺术—美术]