帖木儿王朝《升天记》细密画中的中国元素研究  

A Study of Chinese Elements in the Miniature Painting Ascension of the Timurid Dynasty

作　　者：杨静[1] Yang Jing(School of Art,Soochow University)

机构地区：[1]苏州大学艺术学院

出　　处：《美术》2024年第1期118-127,共10页Art Magazine

基　　金：2019年度国家社科基金艺术学后期资助一般项目《中亚细亚古代艺术源流》(项目编号:19FYSB030)的阶段性研究成果。

摘　　要：帖木儿王朝《升天记》细密画作为赫拉特画派的早期代表作品,是描绘先知穆罕默德升天过程的最完整版本。本文将该手抄本细密画置于帖木儿王朝与明朝往来的历史背景下,探讨赫拉特画派对中国元素的借鉴与吸收,认为帖木儿王朝《升天记》细密画在继承伊利汗国波斯细密画的基础上,融入了中国佛教艺术、中国纹饰和中国画元素。As an early representative work of the Herat School,the Ascension,miniature painting of the Timurid Dynasty,is the most complete version of depicting the ascension of the Prophet Muhammad.Placing it in historical exchanges between the Timurid Dynasty and the Ming Dynasty,this article explores the Herat School's efforts to learn from and absorb Chinese elements,and believes that the Ascension integrates elements of Chinese Buddhist art,Chinese ornamentation and the Chinese painting while inheriting the Persian miniature painting of the Ilkhanate.

关 键 词：升天记 帖木儿王朝 细密画 赫拉特画派 中国元素 

分 类 号：J205[艺术—美术]