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作 者:王亮军 WANG Liangjun
机构地区:[1]北京师范大学历史学院
出 处:《宁波大学学报(人文科学版)》2024年第1期80-91,共12页Journal of Ningbo University:Liberal Arts Edition
基 金:国家社科基金后期资助项目“谈迁《国榷》研究”(20FZSB070)。
摘 要:学界对中国“通俗史学”研究的重要分歧在于对史学“娱乐化”(作品)的理解与接受,辨证该问题需从中国“通俗史学”自身的发展史及其学术功用之实践入手。从中国“通俗史学”发展的渊源来看,其历程至迟于唐代已开始,这个历史过程可以20世纪初“新史学”的提出为界,分为两个大的阶段,不同阶段表现出明显的时代特征。从“通俗史学”普及历史知识、延伸正统史学社会功能的角度看,中国“通俗史学”的发展有两条路径,一条以通俗历史读物等简化正统史学的形式为主,一条以讲史等娱乐性活动的形式为主。历史地看,两条路径下的史学“通俗化”发展均促进和实现了历史意识及史学意识的深化,延伸了史学本身在教化、教育等方面的社会功能。因此,当下的“通俗史学”研究应以时代意识来重新定位史学“娱乐性”作品。The key divergence of the current academic research on“popular historiography”lies in the understanding and acceptance of the“entertainment”of historiography.The development of“popular historiography”in China started no later than the Tang Dynasty.This historical process can be divided into two periods based on the proposal of“new historiography”in the early 20th century,and different periods showed obvious characteristics of the times.From the perspective of popularizing historical knowledge and extending the function of“orthodox historiography”of“popular historiography”,there are two paths for the development of“popular historiography”in China.One is mainly in the form of simplified orthodox historiography,such as popular history books,and the other is in the form of recreational activities such as“speaking history”.Historically,the“popularization”of historiography has actually promoted and realized the deepening of historical consciousness and historiographical awareness.The current research on“popular historiography”should reposition historiography“entertainment”works with the awareness of the times.
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