东周画像铜器射礼场景研究——兼论射礼画像的视觉转化与构图技法  

Archery Ritual Scenes in Eastern Zhou Portrait Bronzeware:A Discussion on Visual Transformation and Composition Techniques of Archery Ritual Images

作　　者：王传明 WANG Chuanming(Jinan,Shandong 250100)

机构地区：[1]山东大学历史文化学院,山东济南250100 [2]长沙市文物考古研究所

出　　处：《江汉考古》2023年第6期86-95,共10页Jianghan Archaeology

摘　　要：东周画像铜器的器表或内壁刻有许多人物画像并构成不同活动场景,射礼场景便是之一。古人将射礼分为四种,大射、宾射、燕射和乡射。对照先秦文献,不难发现这些铜器上的射礼画像并不完全相同,它们所呈现的是不同的射礼场景或同一射礼的不同阶段。此外,受限于器物的造型、尺寸、二维表面以及透视构图法的不成熟,画像并非对射礼场景的如实再现,而是经过视觉转化后的画面。Many figure images,which form different activity scenes,are engraved on the surface or inner walls of the Eastern Zhou portrait bronzeware,and one of these is the archery ritual scene.Ancient Chinese divided archery rituals into four types:Dashe Li,Binshe Li,Yanshe Li and Xiangshe Li.Compared with pre-Qin literature,it is not difficult to find that the archery ritual images on these bronzes are not the same.They present different archery ritual scenes or different stages of the same archery ritual.Moreover,limited by the vessel's shape,size,two-dimensional surface,and the immaturity of perspective composition,the images are not true reproductions of the archery ritual scenes but are transformed visually.

关 键 词：东周 画像铜器 射礼场景 视觉转化 

分 类 号：K871.3[历史地理—考古学及博物馆学]