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作 者:项煜杰 麦克·加德纳 Xiang Yujie;Michael Gardiner(the School of Foreign Languages,Shanghai Jiao Tong University,Shanghai 200240,China;English and Comparative Literary Studies at University of Warwick)
机构地区:[1]上海交通大学外国语学院 [2]华威大学英语与比较文学系
出 处:《外国文学研究》2023年第6期1-10,共10页Foreign Literature Studies
基 金:国家社会科学基金重大项目“当代西方叙事学前沿理论的翻译与研究”(17ZDA281)。
摘 要:麦克·加德纳是华威大学英语比较文学系教授,其研究领域主要包括战后苏格兰文学和文化。加德纳是战后文学领域的领军学者之一,著述颇丰,包括《1960年以降苏格兰批评理论》(2006)、《苏格兰文学与后殖民文学》(2011)、《苏格兰公投时间与行动》(2015)、《苏格兰荒野写作的灭绝与独立》(2023)等。本访谈涉及苏格兰文学的发展脉络、现代苏格兰文学的语言、20世纪苏格兰文艺复兴运动及其影响、苏格兰文学与英格兰文学的关系。加德纳在现代苏格兰文学中发现了对英帝国“起源神话”态度上的转变,以及我们所理解的“英国性”联合和分裂的漫长过程。Michael Gardiner is Professor of English and Comparative Literary Studies at University of Warwick, whose research interests include post-war Scottish literature and culture. He has been one of the leading scholars in post-war literature with extensive publications, such as Scottish Critical Theory since 1960(2006), Scottish Literature and Postcolonial Literature(2011), Time and Action in the Scottish Independence Referendum(2015) and ‘Extinction and Independence in Scottish Wilderness Writing'(2023). This interview addresses a series of issues, including the development of Scottish literature, the language of modern Scottish literature, the ongoing effects of long-twentieth-century ‘Scottish Renaissances,' and the crucial connection between Scottish literature and English Literature as a field. Gardiner finds in modern Scottish literature shifting attitudes towards the founding mythologies of British Empire and a long process of making and un-making Britishness as we understand it.
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