论菲利普·罗斯《鬼作家》的游戏性重构  

On Philip Roth's Reconstructive Freeplay in The Ghost Writer

作　　者：梁琰[1] 张生庭 Liang Yan;Zhang Shengting(Xi'an International Studies University and a lecturer at the school of English Studies,710128;Xi'an International Studies University,710128)

机构地区：[1]西安外国语大学 [2]西安外国语大学欧洲文学研究中心

出　　处：《当代外国文学》2023年第4期5-11,共7页Contemporary Foreign Literature

摘　　要：菲利普·罗斯在《鬼作家》中对《安妮日记》进行了游戏性重构,不仅使历史文本转变为小说虚构,而且使安妮的叛逆形象与反传统的朱克曼形象建立了联系。这一过程中,罗斯通过安妮与艾米之间的身份关系,探索历史意识对美国犹太人的双重作用。一方面,他承认安妮与艾米身份的延续性,强调犹太历史意识对美国犹太人当下生活的重要作用;另一方面,通过强调安妮与艾米身份的差异性,罗斯在重构中凸显了沉重的历史意识对现实生活的负面影响。从根本上说,罗斯的游戏性重构是一种创造性遗忘的方式,使美国犹太人摆脱沉重历史负担,并在一定程度上“医治”了美国犹太人的“历史疾病”。Philip Roth's The Ghost Writer,as a reconstructive freeplay with The Diary of Anne Frank,not only transforms the historical text into a fiction,but also reveals the resemblance between the rebellious Anne Frank and the disobedient Nathan Zuckerman.Through his freeplay,Roth explores the relationship between Anne and Amy in order to reflect on the paradoxical influence of Jewish historical consciousness on the life of American Jews.On the one hand,Roth recognizes the significance of historical consciousness by revealing the connection between Anne and Amy.On the other hand,he expresses a wary suspicion of the Jewish historical consciousness by emphasizing their differences Fundamentally,Roth's reconstructive freeplay is a creative forgetting of Jewish historical memories,and his freeplay with such memories,to some extent,aims to cure American Jewsof their"historical diseases."

关 键 词：《鬼作家》 游戏性重构 历史记忆 创造性遗忘 

分 类 号：I712.074[文学—其他各国文学]