“冰球神话”中的文化消抹与重塑——《印第安马》的后殖民体育叙事  

Cultural Erasure and Reconstruction in"Hockey Myth":Postcolonial Sports Narrative in Indian Horse

作　　者：陈玲 Chen Ling(College of Foreign Languages and Cultures,Sichuan University,Chengdu,China,610207)

机构地区：[1]四川大学外国语学院

出　　处：《当代外国文学》2023年第4期132-139,共8页Contemporary Foreign Literature

摘　　要：冰球为多元文化背景的加拿大人提供了国家想象的统一象征,是加拿大国家身份的隐喻性表达。瓦戈米斯的《印第安马》讲述了印第安冰球运动员索尔在白人主导的冰球世界中的冒险之旅。在后殖民体育叙事的视角下,小说中的冰球场景既是印第安文化被消抹、同化和驱逐的场所,也是印第安人寻求本土表达和重塑本土文化的场所,折射了印第安文化和白人定居者文化在一个由冰球构建的压缩性权力空间内不断博弈和对抗的过程。索尔使用印第安文化视角构建具有本土意义的“边界灵知”的文化实践,对当今世界印第安文化的生存与重塑具有借鉴意义。Hockey provides a unified symbol for Canadians with diverse backgrounds in their national imagination,as a metaphorical expression of national identity.In Richard Wagamese's Indian Horse,an indigenous hockey player named Saul adventures in the White-dominant world of hockey.From the perspective of post-colonial sports narrative,hockey scenes in the novel are both a space where Indian culture is erased,assimilated,and expelled,and a space where Indians seek native expression and reconstruct native cultures,which properly reflects the continuous competition between Indian culture and white settler culture in a compressed power space constructed by hockey.Saul's cul tural practice of using Indian cultural perspectives to construct"border gnosis"'with indigenous significance is a useful reference for Indian cultural survival and reconstruction today.

关 键 词：理查德·瓦戈米斯 《印第安马》 冰球神话 后殖民体育 文化消抹 文化重塑 

分 类 号：I711.074[文学—其他各国文学]