无印良品产品设计中民艺“活化”模式研究——以Found MUJI为例  

Research on the Revitalization Mode of Folk Art in MUJI Product Design:Taking Found MUJI as an Example

作　　者：戴悠悠[1] DAI Youyou(Wuhan University of Technology,430070 Wuhan Hubei)

机构地区：[1]武汉理工大学,湖北武汉430070

出　　处：《设计艺术研究》2023年第6期32-36,共5页Design Research

摘　　要：无印良品以其兼具文化性与现代性的产品设计理念,在现代工业生产主导的环境中,积极探索民间环保素材与杰出工艺,并将其融入产品设计。这种将民艺“活化”的实践与探索成为无印良品鲜明特征。其中,“Found?MUJI”项目作为无印良品的代表性产出,通过全球民艺的“再发现”与现代设计的“再创造”实现了民艺的活化,该项目的实践过程与方法论对中国传统民艺的“活化”具有重要的参考价值和借鉴意义。With its design philosophy of both culture and modernity,MUJI actively explores folk environmental friendly materials and outstanding craftsmanship,and integrates them into product design in an environment dominated by modern industrial production.This revitalizing practice and exploration of folk arts have become a distinctive feature of MUJI."Found MUJI"project,as a representative output of MUJI,achieves the revitalization of traditional folk arts through the rediscovery of global folk arts and the recreation of modern design.The practical process and methodology of the“Found MUJI”project have important reference value and significance for the revitalization of traditional Chinese folk arts.

关 键 词：无印良品 产品设计 民艺活化 Found MUJI 设计策略 

分 类 号：TB472[一般工业技术—工业设计]